![]() When we first meet Parineeti Chopra, she’s seductively gyrating her amply bare waist in a nightclub booth and then comes down on a gawking rake in a manner so bawdy, you’d mistake her for a bar dancer. Intersperse it with random songs, birdbrained logic and a romance that’s about as exciting as toothpaste. It’s as though Shaad discovered somebody’s cell phone, read all 20 SMS jokes (the kind that led to the invention of technology like mute and block) and decided to make a no-holds barred dumb movie out of it. I’d happily sit through two hours of K-k-k-k-kill the Dil playing in a loop over this pretence of a caper that’s a no go in both style and substance. What it does have is a knockout title track from composer trio Shankar-Ehsaan-Loy, where Sonu Nigam’s rendition alone packs more punch than two hours of the deflated bromance between Ali and Ranveer. ![]() Seriously, even the on-going season of Bigg Boss has more meat than this half-cooked turkey of a script. Trouble arises when one of them falls for a girl (Parineeti Chopra) and decides to mend ways by doing stuff that will make him hero in her eyes, offender in the villain’s and a certified moron in ours. While on the subject, a gangster (Govinda) takes pity on two orphans lying next to a trashcan and raises them to be mastermind henchmen (Ranveer Singh, Ali Zafar). ![]() Shaad Ali returns to direct a new movie for Yash Raj Films after seven years with a script so abysmal I can almost hear the folder crying out Move to trash. ![]()
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